Abbess Hildegard von Bingen- A Feather on the Breath of God (1993)

http://www.mediafire.com/?s1e9eno35w5a51m

Let me introduce you to another CD that i purchased based on visual interest: Abbess Hildegard of Bingen.

Hildegard von Bingen was a self-taught Christian mystic who created music, poems, visual art (iconography), and religious texts during the 12th century. Her music is amazing--serene, surreal, haunting, evocative, and blissful. The title of this collection, A Feather on the Breath of God, is meant to convey the role of mankind in the earth-- floating at the whim of the supernatural. It's also a perfect description of this music.

Her artwork/iconography is also unbelievable. I hate to add to the piles of internet knowledge, so i'll refrain and just say how incredible the music is. I think of cds like this when i think of Michael Stipe's quote that "Music is proof that god exists."

Please just download it and listen to it.

Some of Bingen's sensational--and academically neglected-- visual artwork. 

A beautiful self-commissioned holy icon.

Slowdive- Pygmalion (1995) and Pygmalon Demos (1994)

http://www.mediafire.com/?gzyknf2nmjy

While i listened to a lot of embarrassingly bad music in high school (inevitable, but especially so growing up in an isolated small town), i managed to make friends with a gal in--ironically--east Ohio who turned me on to brit pop, shoegazer, and noise rock.

One of my favorite high school bands, believe it or not, was Slowdive. I heard their UK-only final release Pygmaleon early on in college. I paid $18 for it on a whim  and it was one of the best musical finds of the year. Their signature album "Souvlaki" is pretty cool and it has that seminal shoegazer sound--dreamy, reverby, epic, melancholic. But Pygmaleon was different--sparse, uncomfortable, disjointed, and eerily pretty.

This is the kind of album that happens as a band breaks up. Some members want to go in a new direction, the others don't like it, so you get an incomplete band making a record in pieces without the same commercial enthusiasm or backing of the label. Sometimes great things happen in that space (see Big Star: 3rd).

Fifteen years later, and it still stands out as an interesting listen. Might i also add that i would take this CD over any Mojave 3 record. 

If you find yourself especially smitten, or a bigger-than-average Slowdive fan, listen to the Pygmalion Demos:
http://www.mediafire.com/?um1ms1lcuri

Aaron Martin- Worried About the Fire (2010)

http://www.mediafire.com/?lwqyrhy8nzt3bbr

Aaron Martin made one of those records that i wish i had made. It's moody, airy, deep, creepy, breathy, and beautiful. Very sparse instrumentation that somehow feels both ethereal and Appalachian. Think of bowed saws, looped violins, nebulous electronics, and sparseness. Or, imagine "Brian Eno: Music for Tall Forests in The Snow."

This is one of those amazing albums that can be listened to actively or passively, as background music or meditation music.

Highly recommended. I need to check out more of his stuff.

Michael Hurley + Ida: Ida Con Snock (2009)

http://www.mediafire.com/?zzzgzzzezw5

Call me a mindreader, because i know what you're thinking: "Based on this weak drawing of birds singing on telephone poles, this cd is gonna suck." I would tend to agree with you, if the words "Ida" and "Snock" didn't also appear in the title.

Snock, aka Michael Hurley, has been making weird folk records since the mid 1960s. His first record came out on Folkways, and his last came out on Devandra Barnhart's label, Gnomonsong. Tell me that's not street cred.

But mostly, this cd is my favorite Hurley record since the amazing "Have Moicy!" collaboration extraordinaire of 1974. I have at least 6 cds by Hurley, and i'll be honest-- they're pretty interchangeable. Each cd basically sounds like a continuation of the one before it. Or more bluntly, they all sound the same. Which isn't necessarily bad...

But, from the first bar in Ida Con Snock, you can hear the difference. Ida brings an incredible warmth and focus to Hurley's songs, grounding them and supporting them with an incredible musicianship that his other cds don't have. You've never heard drone, sweet harmonies, and thoughtful arrangements on a Hurley cd before. 

If you haven't heard Michael Hurley before, you might not be startled in the same way that I was. It might just sound like a nice, understated folk record. And that's okay, too. But keep in mind that this dude is around 68. At this point, Ida Con Snock sounds better than anything that Neil Young or Bob Dylan puts out (contemporaries of Hurley who proudly live up to the title "Washed Up").

For fans of early Low, Emmylou Harris, Crazy Horse, etc

Big Star- Sister Lovers (1974) {CF Edit}

http://www.mediafire.com/?tm12klsl5gzcpmo

There was an American band in the late 60s and early 70s who made quite a name for themselves by playing rock and roll. Their records were good, but they never quite reached the critical mass that The Byrds, The Beatles, or The Rolling Stones did.

By the time their third album was coming around, they had signed to Stax Records, which was falling apart and going bankrupt. The band was splitting up, and the singer Alex Chilton was having his own personal issues to deal with. He did what every musician should do, which is deal with his stuff openly and on tape.

Sister Lovers (so-named because he and the drummer were dating two sisters; this cd is also known as "Third") was Big Star's third record, though many consider it Chilton's solo outing, recorded with session musicians, the band's drummer, and an ambitious producer who wanted to carry the session through to fruition.

Sister Lovers is a bizarre collection of songs that ping-pong between sheer bliss, caustic sarcasm, utter detachment, total loneliness, and tongue-in-cheek. In a way, it was indie rock way ahead of it's time, and Sister Lovers nails the sonic experiments, loose arrangements, and sheer coolness that a lot of homemade rockers tried to sound like. Even in 2011, it sounds like it was recorded last month, which says a lot!

A lot of crazy-huge bands (R.E.M., Yo la Tengo) refer to as one of the most influential of all time.

I could go off on how I like each song, but everyone in the world has beat me to it. So there.

Rykodisc finally released the "official" version of Third/Sister Lovers, including bonus tracks, in 1994 or so with a setlist picked by Chilton. I have to say that i liked and didn't like it. For one thing, it's very hard to cobble any kind of cohesion together out of the songs, that make Pet Sound's diversity sound relatively tame. For another, it is 17 songs long, which is far too many, in my opinion. It also includes a handful of cover songs that range from campy to utterly atrocious.

So-called purists will get all huffy, but i made my own tracklist that has a more natural listening arc to it, and i also made my own album art (since the reissue is pretty fugly). To me, it's the strongest tracks put in an order that a skeptic would really appreciate.


(A little aside: This is Chilton's year, as people are performing Third live all over the place. This poster was from North Caroline, i believe, but a superstar cast was doing this in New York City also. Flattering or self-serving?)

Damien Jurado- Saint Bartlett

http://www.mediafire.com/?detxkj8swulzk17

When people think of Damien Jurado, they probably think of a sensitive northwestern singer/songwriter who likes to play lots of acoustic guitar and have women sing with him. I, for one, have thought that his last few cds just seemed like a blurring of one continuous album that never really stuck out to me. That's probably not a fair assessment.

Saint Bartlett, which was produced by Richard Swift, really caught me off guard. It's a very solid record: the songs are catchy, haunting, and distinctive. But the thing that really sealed it for me are the great idiosyncratic percussion and doo-wop sensibilities. It's still a Damien Jurado record, but it sounds like one that would be playing in the background of an episode of Twin Peaks.

His songs always seem confessional, but they're often from the point of view of others. This record was apparently made while several friends were going through divorces, in hospitals, etc. The different points of view make it "read" like a collection of stories by Ray Bradbury.

It's a really affective record. I have some days when I pull in to work on my bike and all i can think of is the endless loop that he sings on the first song: "Trying to fix my mind, trying to fix my mind." This has been one of my favorite records of the past year.