The Moray Eels Eat the Holy Modal Rounders (1968)

http://www.mediafire.com/?koe1rj053pabwi8

From the linear notes:

"There was an article in the LA hippie paper about a confrontation between two local guru types in MacArthur Park. Their followers--by this time, there were tens of thousands of young and not-so-young people following hundreds of self-styled gurs du jour, from Mei Lyman to Charles Manson--were looking for a peace and love-style version of the old west shoutout on Main Street. Both would-be avatars were about thirty. One was swaddled head to toe in robes, diffraction gradings, body paint, beads and peacock feathers. The other one was completely naked, except for an incense-on-a-stick-thingie that he had stuck up his asshole and lit. It had gone out.
The two avatars faced each other, smiling.

'You're beautiful, man,' said one.
'No, man,' said the other. 'You're beautiful.'
'No, I'm not,' came the reply. 'You're beautiful.'
'No, brother. You're the one who's beautiful.'
'I think I'm going to throw up,' said one of the cops.

Doomed as doomed can be."
-Peter Stampfel

jj- No.3 (2010)

http://www.mediafire.com/?1qqbr1dtjghb48n

jj are a Swedish pop group, and if you can mentally squish together your notions of the singer Lykki Li with the stellar vampire movie Let the Right One In, you could come up with something like jj.

I know, right? What the f*** kind of band name is jj, in lowercase letters? Grr. Those swedes (writes the guy named after a viking).

No.3 is their third (!!!) album that sounds shimmery and perfect. It's cheeky and cheesy and classy and catchy. Sometimes high schoolers can really nail that "heartbreak" thing right on the head.

If you're up for something poppy and youthful, but somehow tasteful, give it a try.

Langley Schools Music Project- Innocence and Despair (1976, 2001)

http://www.mediafire.com/?3qecz24bk6p63ya

Imagine a gymnasium full of elementary school kids singing and playing songs by The Eagles, Beach Boys, David Bowie, the Carpenters, Paul McCartney, Neil Diamond, etc in the 1970s. It'd be off-key and peppy. But you might not guess at the level of pathos that they'd also strike, by singing words and melodies written by adults who think they have experienced heartache.

That's what this album is: an inexperienced music teacher who taught his elementary school classes a bunch of contemporary pop songs and recorded them in a giant gymnasium. There has been much mythologizing around this double-LP-turned-cd compilation, but I can honestly say that there's a good reason for it. The Langley Schools Music Project still hovers in my top five albums of all time. One of the saltiest men i have ever known told me that when he listened to this version of "Desparado," it was so devastating that all he could do was lay on the floor. That's how the album is.

The best review I have read of this record comes from Frieze Magazine:

http://www.frieze.com/issue/article/the_kids_are_alright/

New Pornographers- Together (2010)

http://www.mediafire.com/?m9a8x1uz1cif5av

Wouldn't it be annoying to be part of a "supergroup" that was a bunch of bands that most people didn't know of? And to always have to explain to people why your band was so super and who you were?

Anyway... in a nutshell: New Pornographers make very, very good power pop/rock music with rock instruments. Nothing fancy. But they consist of (now) seven incredible musicians, including 2 songwriters/ guitarists, bass, drums, and four lead vocalists. That might sound overwhelming to have four singers, but they make you wish that every band did the same thing.

This disc won't surprise you or make you cry at midnight with a belly full of gin. What it makes you want to do is dance or drive really fast along Columbia Parkway with the windows down. Great, great, great summer record. Also, one of the coolest videos I have ever seen that is both badass and ridiculous. I'm not kidding. Please watch this.

All New Pornographers records are good, but this their latest and my favorite. I'm also posting it because my three year-old son has rediscovered it and wants to hear it every day.

tune yards: Bird Brains (2009)

http://www.mediafire.com/?z16ee0eeu42mwvn

When you have a woman singing really well, playing ukulele, and looping things like nobody's business and recording the entire cd into a one-track digital player... well, what's not to love?

Since signing onto 4AD, she is poised to be the next quirky-female-singer-songwriter-producer, to tour the world with St. Vincent and Dirty Projectors.

You know, in typing all this, i realize how much people rely heavily on myth that surrounds records. You know what? It sounds really bizarre and fresh and the homemade quality really hits the spot after reading about Beyonce and Lady Gaga. I love to hear someone make music that actually sounds like they were making music live. And when people only make music with loops (aka Juana Molina, Imogene Heap, Andrew Bird) i get really excited because of the limitations as well as the possibilities.

So there! I like it.

The Lassie Foundation- Jet Stream, Three Wheels EP (2010)

http://www.mediafire.com/?1246e9h2x5r22zp


I had a strange musical childhood, with two parents who listened to those irritating Christian Church worship tapes every week. That was their definition of music, and because of that hideous weekly routine (**shudder**), we kids were expected to listen to "christian music." How can music be a Christian?


One of the few things that came out of that ridiculous musical wasteland was a band called The Prayer Chain, who later split into The Lassie Foundation. TLF was obsessed with The Beach Boys, Yo la Tengo, Built to Spill, Lilys, Medicine, and 60s garage rock like The Kinks and The Who. I couldn't get enough of that combination of sugar-sweet pop falsetto and make-your-ears-bleed loud noise rock.


Alas, the band did not age well. The Schlock Factor hit pretty hard. They were incredibly inconsistent and distracted, and seemed to have an "All or Nothing" approach, rotating band members with each new release.


Jet Stream, Three Wheels EP really surprised me because it's fantastic. The first song is negligible, but the two last songs are fantastic. I can't tell if it makes me forgive them of all the pedantic releases or hold it against them more...hmmmm?


--
I just noticed this amazing link: on their website, you can download "fancy" PowerPoint presentations to accompany their songs in order to "Impress your teachers, professors, and office colleagues." I have to give them credit for these ludicrous extras. 

Panda Bear- Tomboy (2011)

http://www.mediafire.com/?91eg2vds6mqxx3d

I'd like to suggest that you know you have made it as a one man band when you are able to have an awful screen printed t shirt as your cover art, and hundreds of thousands of wide-eyed hipsters will buy your cd.

Congratulations, Noah.

Michael Hurley, the Unholy Modal Rounders, Jeffery Fredrick and the Clamtones- Have Moicy! (1976)

http://www.mediafire.com/?oguumtfftdt

Do you like songs about stealing hamburgers, robbing banks, getting it on by the moonlight, washing dishes, and taking shits?

OF COURSE YOU DO!!!!

That is why you want to hear the most amazing and certainly most unique country/bluegrass/folk/pop cd of the entire 1970s.

This is what you get when a rubbertramp, psychadelic bluegrass musicans, and depressed folk singers get together and make an album. This is absolutely the most interesting record I heard during my year in Knoxville, TN. Which is saying a lot!

Have Moicy continues to be one of the most influential albums of the 70s and have given props up and down and all over. Yo la Tengo covered "Grizelda" and blah blah blah. I think you just might really love it.

Blue Hawaii- Blue Gowns

http://www.mediafire.com/?wjsbe4fbnmjldww

The downside of having an awful band name (besides having an awful band name) is having would-be fans slew through dead-end internet searches to find information on your band. Let that be a lesson to you, future bands "Total Recall," "Barak Obama," and "Santorum."

For now, it's best to focus on just how nice this cassette is (CASSETTE!!!). You can think of it as a dreamy, blippy, poppy beach record, but it still has that shimmery sound to it that i associate with Scandinavian sonics, or 4AD records from the late 80s. It's Raphaelle Standell-Preston (Braids' vocalist, who is quickly becoming one of my new favorites) plus a boy playing instruments, and it has all the great aspects of a folk guitar duo without any of the painfulness. Does anyone else notice this great and weird keyboards/effects-becoming-the-new-guitar-of-folk phenomenon? I like guitar and all, but it's nice hearing the same aesthetic with a different sonic palette.

The lyrics get confessional/awkward ("when i picture you thrusting into her"), but they always come across as being comfortable and inviting. This whole cassette is start-to-finish very solid. Warm, spacey, bright, faraway, and just nice. 


Maybe it is more like the beach after all.

Damien Jurado- Saint Bartlett

http://www.mediafire.com/?detxkj8swulzk17

When people think of Damien Jurado, they probably think of a sensitive northwestern singer/songwriter who likes to play lots of acoustic guitar and have women sing with him. I, for one, have thought that his last few cds just seemed like a blurring of one continuous album that never really stuck out to me. That's probably not a fair assessment.

Saint Bartlett, which was produced by Richard Swift, really caught me off guard. It's a very solid record: the songs are catchy, haunting, and distinctive. But the thing that really sealed it for me are the great idiosyncratic percussion and doo-wop sensibilities. It's still a Damien Jurado record, but it sounds like one that would be playing in the background of an episode of Twin Peaks.

His songs always seem confessional, but they're often from the point of view of others. This record was apparently made while several friends were going through divorces, in hospitals, etc. The different points of view make it "read" like a collection of stories by Ray Bradbury.

It's a really affective record. I have some days when I pull in to work on my bike and all i can think of is the endless loop that he sings on the first song: "Trying to fix my mind, trying to fix my mind." This has been one of my favorite records of the past year.

Shields Down- Powdered Sugar Avalanche

http://www.mediafire.com/?5uc3gdwbpym5hwh

Powdered Sugar Avalanche combines the Everything But the Kitchen Sink Brian Eno brand of pop music with the whirled sonics of My Bloody Valentine and the instrumentation of Magnetic Fields. It's ultimately a group of pop songs, but sounds a bit like Alan Lomax engineered a group of pop musicians that Brian Eno arranged and Kevin Shields produced. It's all over the place, in a nice way, i think.

The 'band' consists of brothers Ben and Leif Fairfield, who both make their own cds, and Lisa Chuang. Ben Fairfield tends to make poppy songs in the vein of Jack Johnson or Elliot Smith while Leif prefers the overall sound and feeling of songs, more akin to Brian Eno or Andrew Bird.

The songs here are shrouded in imagery and feel a bit like reading a book on a remote ocean shoreline. It has a song in Thai, a Chinese boys choir, and lyrics about Japanese history. It's familiar-enough as a pop cd, but even at its most intimate, it still feels pretty far off and abstract.

"Any Kind of Day" feels a bit like Sarah McLachlan-meets-Cush and "SwanDive" nearly sounds like Jeremy Enigk with a looser backing band. I have always appreciated bands that rotate lead singers, and i especially like the three part harmonies.



* If you ever get a chance to pick up a physical copy, it's printed letterpress! Woo ha!

Leif Fairfield- Facts of War

Leif Fairfield- Facts of War (2011)

http://www.mediafire.com/?m4mqviii9hj1fsa

Troubadour musician Leif Fairfield first cut his teeth with the 2005 "Delaware Sessions," a Berkeley-birthed cd that made pop music really tiny, basing songs around plucked violin and tentative vocals. Facts of War is his first full length offering since (with a smattering of EPs scattered throughout) and finds the emotional attachment cranked up a few notches, with some improved musical chops. An audio chronicling of his relocations from San Francisco to Knoxville to Cincinnati, this cd is full of screechy noise, darker lyrics, and pop sensibilities.

This cd squishes the devotional with the confessional, blurring the personal with the projected. And like all of Fairfield's cds, it has at least one song about suicide and/or dying. Go figure.

Think of it as a sound lasagna, with layers of violin and effects, filled with vocal harmonies, and drizzled with a small sprinkling of acoustic string instruments. Recommended for fans of Andrew Bird, Grizzly Bear, and Brian Eno.

Featuring Peralta Pirates Bryan Maurer and Matt Kronbach, plus Cincinnati staple Sonic Elf. 

Braids- Native Speaker

http://www.mediafire.com/?ztf5zuxaem3skhg

BRAIDS are:
a) one part early 90s classic 4AD sound (already recipe for greatness),
b) one part Gang Gang Dance,
c) one part Siouxie and the Banshees, and
d) one part Lars Ulrich.

Imagine really tasteful synth textures (i know--oxymoron, right?), female vocals with lots of personality and strength, super huge pop sensibility, soul, and the feeling of being seventeen years old on a spring break camping trip. Braids is really my thing this week.

Wearing a truly terrible band name on their sleeves, Braids are a four piece from Montreal, Canada. They could fit anywhere in a bill with Cocteau Twins, an aggressive version of Slowdive, Yeah Yeah Yeahs, and Animal Collective. Really, really great stuff that can fill your heart on the cloudiest day or brightest summer day.

Singer Raphaelle Standell-Preston is part of another poorly named group (Blue Hawaii), who sound basically like Braids, but less polished. Standell-Preston is interesting: she gets comparisons to Jenny Lewis and Bjork (which--C'MON!--has to be the laziest comparison someone could ever draw); however, she sounds to me like Joanna Newsome singing electronic music.

Love 'em.

Broadcast and the Focus Group- Investigate Witch Cults of the Radio Age

http://www.mediafire.com/?gzgejyzbx4z

This starts off sounding like Os Mutantes in the 1960s, but by the time you reach the end of this cd, you'll feel like you're listening to Cut Chemist's paranoid doppleganger on acid. 

This entire cd was probably made without touching a musical instrument, and as always, sounds best through a pair of headphones. The first track will make your mom happy, and the last track will make your mom want to send you to a therapist.

Bob Marley, Pete Tosh, and Bunny Wailer- Trenchtown Days: Birth of a Legend

http://www.mediafire.com/?ajj1sy790kq20d9

Okay, now before you go lighting that 7am "cigarette," I am going to cut you off and say that Bob Marley, Tosh, and Bunny started their career as a vocal trio singing what was between ska and doo wop. And for all the haters--You might think you hate reggae, but I still invite you to give this a listen.

And also-- 7am "cigarette"? Shame on you.

The sound here is closer to the American 45, and Bob is one of three voices. I prefer that. The songs are about breakups, partying, dancing, and of course the classic "One Heart." Though here, it sounds more like a song the Flamingos would sing. Here, Marley sounds more like Sam Cooke than the he did on Exodus or Burnin'. All the songs are also really solid-- sweet and a little bit pungent.

You'll notice that I give album credit to all three boys and not just megalomaniac Marley. Tosh and Wailer should get some credit for making this sound so nice, before they were sidelined by Bob's ego.

Tame Impala- Innerspeaker

http://www.mediafire.com/?iyvg4t0ejin

Whenever there is a lot of hype around an album, it certainly falls into the "Hipper-than-thou" category, and therefore makes me exercise extreme caution. This is multiplied 10x when Pitchfork gives it a raving review (which for Pitchfork, means more than 6 out of 10. Bastards).

I looked into Innerspeaker based on the recommendation of a good friend, and i have to say: Pretty-Damn-Awesome.

The thing that made me really excited was a line that eMusic used to describe it: "It sounds like what the Beatles would have sounded like if they were around long enough to hear Yes." When the cd starts up rightaway, i thought, "Holy crap, they got John Lennon to sing on it!"

Fans of either George Harrison or John Lennon might get really wistful to hear this MetaBeatles band, and Innerspeaker does sound like it could have come out of that time period. It's really weird in that way.

Highly, highly recommended. Listen with earphones!!

Dirty Projectors & Bjork- Mt. Wittenburg Orca

http://www.mediafire.com/?4qo24epevcb4x2g

I grew up with this guy who ended up wearing polyester suits to school every day his Junior year of high school, right around when he started sporting some bleached hair and very angular sideburns. Part of this new persona consisted of listening to music that his sister handed down to him, which he tried to like, but then became disinterested in. He passed them along to me. I wish i could say that i had a revelation, but it was years until i fully appreciated The Beach Boys- "Pet Sounds" and Bjork- "Debut," which were two of the cds he gave me.

Fast forward a few years, and a friend played Bjork's "Homogenic" at her house. That WAS a revelation, and Bjork was the bee's knees for a few solid years. I loved how she destroyed her voice on every song and sounded ready to fall apart. I enjoyed her a bit less as Drawing Restraint came out, and it was downhill from there.

BUT! A few years later, I discover the amazing and incredibly weird Dirty Projectors, who somehow cradle chamber music, art rock, and 80s R&B. Oh yeah, they're weird. Then, they make a cd with Bjork about whale sighting off a mountain in California, and luckily for us all, it's absolutely beautiful. Weird, wobbly, perfectly delivered, and full of idiosyncratic sounds. To me, it sounds like whales swimming, which is about perfect.

I feel a little guilty for putting it up here, since the proceeds from the album go to support National Geographic. It's like robbing from Ghandi. Eh. What are you gonna do...?

A rather shoddy live recording:
http://www.youtube.com/watch?v=QFdZH9R1n-4


*As a side note, my two year old son LOVES this cd. Take that, all you lame-ass library folk singers.

Hope Sandoval and the Warm Inventions- Through the Devil Softly

http://www.mediafire.com/?hbfi43tz1z4csiq

A friend of mine from Ohio introduced me to Brit-pop, shoegazer, and noise rock at the same time, and I can safely say that I was the only kid in Tuolumne County who knew of Blur, the Catchers, Mazzy Star, the Vaselines, Belly, the Breeders, Slowdive, My Bloody Valentine, and Elastica. That was a special time when i could hear Nirvana, Mazzy Star, Green Day, and the Flaming Lips on commercial radio. Commercial radio!!!

Nothing Mazzy Star recorded ever touched the magic of "Fade Into You," which is okay, since that is still an unworldly single. But years later, when Hope Sandoval made a solo album with My Bloody Valentine drummer Colm O'Ciosoig, I paid attention. "Bavarian Fruit Bread" is still one of my favorite records, that sounds as fresh now as it did ten years ago.

Through The Devil Softly is perhaps one small step below BFB, but it's still an uncanny and eerie record. Her "Is-she-singing-on-key-or-not" delivery still makes me weak in the knees, and the reverb-y instruments (from autoharp to twangy western guitar) makes such a weird juxtaposition that somehow works perfectly. It's a perfect cd for the dead of winter when it's dark and murky out. It's an album full of doubts, questions, and hauntings. And that makes it awesome.

This album will still sound amazing ten years from now.

Rural Alberta Advantage- Hometowns

http://www.mediafire.com/?iujv5ydu15r9iwt

Do you remember in the early 2000s when everyone was gaga for Neutral Milk Hotel? Nothing really touched Aeroplane Over the Sea, and they pretty much dropped out of public view.

The Rural Alberta Advantage, for better and for worse, is reminding a lot of people of those years. RAA has the sonics and raw energy of a lot of NMH's songs and almost captures that magic. The singer is often described as a "non-singer," someone who puts energy over phrasing, or other things that "singers" apparently think about. Seems a little bit like a derisive complement, to me. But then again, I like Fugazi as much as i like Nina Simone.

 Their lyrics aren't quite as jarring or imaginative, but there is something very immediate and punk about the simple delivery of each song. Imagine AOTS without the horns and religious reference, and you'd have a pretty good idea of what they sound like.

Definitely worth a listen.

St. Vincent- Actor

http://www.mediafire.com/?3yqdtb7gz9zspru

Probably a commonplace name at this point, but I am still really impressed by this album. I was especially impressed to learn that Annie Erin Clark (aka St. Vincent) wrote and arranged the CD, right down to the drum beats (which is contrary to the average singer-songwriter who simply writes tunes on a guitar, then has the pros come in and flesh them out until they sound like solid songs). She's more of a composer, in the classical sense, than a songwriter. But she's still composing songs.

There is an other-worldliness to some of her melodies, and they are sung in a delicate, lilting voice that is really strong. When singers like Bjork or Janelle Monae are able to impress by their sheer range and emotional range, St. Vincent does the opposite-- she impresses by possessing an incredible voice but refusing to show it off.

She's pretty theatrical, which turns a lot of people off. But i definitely appreciate the comprehensive approach: music, image, lyrics, production, execution. One could also call her narcissistic, but eh... what singer-songwriter isn't, really?

Definitely worth listening to, and recommended for fans of left-of-center indie pop songwriters, or fans of Sufjan Stevens, My Brightest Diamond, Neko Case, et al.