Yamaguchi Goro- A Bell Ringing in the Empty Sky (1967)

Original cover. Fussy, but still stunning.

http://www.mediafire.com/?9wdvz4j30ng6zit

Remember the 1960s, when people would release records just because they were interesting?

Japan's designated Living National Treasure, Yamaguchi Goro, played the shakuhachi (bamboo flute) on a series of lps throughout his life, though this one was picked up by the massively exotic Nonesuch Records Explorer Series in the 1960s. It's one of the few LPs to have been rereleased on cd in the early 2000s.

If you've ever wondered what a solo bamboo flute sounds like, you don't have to imagine too much. It sounds empty, plaintive, sad, lonesome, faraway, and fragile. And lovely.

New artwork. Actually matches the music better.

This is a perfect album to play while you're doing something seemingly unrelated. For instance, i love to listen to it while gardening. It makes picking tomatoes seem so fleeting and sad. Totally recommended.

Aaron Martin- Worried About the Fire (2010)

http://www.mediafire.com/?lwqyrhy8nzt3bbr

Aaron Martin made one of those records that i wish i had made. It's moody, airy, deep, creepy, breathy, and beautiful. Very sparse instrumentation that somehow feels both ethereal and Appalachian. Think of bowed saws, looped violins, nebulous electronics, and sparseness. Or, imagine "Brian Eno: Music for Tall Forests in The Snow."

This is one of those amazing albums that can be listened to actively or passively, as background music or meditation music.

Highly recommended. I need to check out more of his stuff.

Kawai Kenji- Ghost in the Shell OST (1995)

http://www.mediafire.com/?tc5sbmauak88o1t

Soundtracks are tricky because they often don't stand on their own, without the images and dialog that they are supposed to support. I'm a bit dubious of soundtracks that play like entire albums-- they should be more evocative, leaving you wanting for a little bit more.

I recently re-watched this film and was struck by the music. It feels like the soundtrack to Blade Runner--both minimal and completely essential to the film's noir feeling, tinged with philosophy, sadness, indifference, anxiety, and wonder. 

The soundtrack is always somehow "empty" even in the fullest numbers (the title credits, which repeats periodically). The idea is to convey the ghost, or the spirit, that is somehow present in the materials that it shouldn't be--namely technology.

It's made me want to view the rest of this series. Plus, it's a killer soundtrack to a bike ride home. Wow.

An incredible live performance of the opening credit song ("Reincarnation"): 

Kawai Kenji in the studio, in a knit sweater and mullet.
I don't know if this makes him more awesome or just cringe-y.

Rayon De Lune- Aromates/ Michele Claude

http://www.mediafire.com/?3wr2jo88k45mpk8

This is a hard cd to sum up, but it's one that is really amazing. It's apparnetly a French group, but they definitely are drawing from a variety of musics in the region.

I'm not doing it justice. But if you have any interest in jazz, Arabic/Andalusian, gypsy, and eastern classical music, give it a listen.

Here is Amazon's description:
"Michèle Claude and his Ensemble Aromates had a French hit album in 2005, Jardin de Myrtes, which appeared on both classical and pop charts for several weeks. Now this exciting artist and his group offer what is possibly an even better album, combining the musical idiom of Al Andalous in Spain with the timbres of the organetto, psaltery, harpsichord, and a rich selection of percussion instruments. Ensemble Aromates consists of classically trained musicians evolving into different musical horizons--medieval, baroque, contemporary, jazz, gypsy, and salsa. They love improvising, and pay tribute to musicians from all traditions, oral and written."

Rachel's- Systems/Layers

http://www.mediafire.com/?hzjyj3zvlkm

Rachel's has to be one of my favorite bands ever, and Systems/Layers is probably their finest record. Most of their albums could be classified as concept albums, but this one works the best. Start to finish, it has an uncanny cohesion, and it bounces between classical, ambient, trip-hop, spoken word, indie rock, found recordings, and low budget movie soundtrack.

It works well as active and passive listening, and as a result, Rachel's proudly boasted of being as popular with grandparents as they were to young hipsters. If that sounds at all weird, please listen to this and see what I mean.

This cd has a tenuous beauty and sadness to it-- both frail and rough. Probably one of my top 10 records of all time. I played the hell out of this the year it came out.

Also great by Rachel's: Selenography, Music for Egon Schiele, and The Sea and the Bells.

Bang on a Can All Stars- Music for Airports

http://www.mediafire.com/?d2vuu97kb8h2m9f

Unless you have lived (quite successfully) under a log for the past several decades, you've gone through a period of really liking Brian Eno's Music for Airports. The story is that while he was hospitalized, he became fascinated with sounds that blended into the environment. That is apparently an amazing idea, though Eric Satie had a very similar idea a good hundred years before...

I digress. So there is a "New Chamber Group" or however they describe themselves, named Bang On a Can All Stars (i won't judge you for judging the name. Yuck.) who likes to cover music by people who will never appreciate their efforts (e.g. Brian Eno and Richard D. James). They turned this extremely discreet music into something sort of dynamic, to be played live by 8 or 9 musicians.

I sound pessimistic, but the actual recording is pretty nice. If you are at all familiar with Eno's original, this is an interesting listen.

(Please, BOACAS: new name, or at least new album art. Yuck.)