Leif Fairfield- The Infamous Sun Drips Extended Play Disc Written by The Sleeping Sea (2011)

http://www.mediafire.com/?bj1716o1mh71jow

Cincinnati-based Leif Fairfield plays as a member of the band The Sleeping Sea. When he joined, he was given an EP of songs that were to be recorded "in the future," but being impatient, he created his own versions of these songs before the whole band could do it.

Sun Drips EP sounds like a cross between his solo recordings and his alias I Do. The disc features the usual violin and layers of voice, but with plenty of internet found sound, dub music leanings, and video game references. In true Fairfield fashion, it goes from ridiculous to pretty in a matter of minutes, and his covers range from respectful to complete re-interpretations (including his "cover" of "Rain Drips" that posits David Bowie-like vocals over the opening theme for the Nintendo game The Adventure of Link). It flows together as a single disc, and songs have multiple versions.

Check out the band photo!

Also a graphic designer, he created the album artwork. Yay!

The Moray Eels Eat the Holy Modal Rounders (1968)

http://www.mediafire.com/?koe1rj053pabwi8

From the linear notes:

"There was an article in the LA hippie paper about a confrontation between two local guru types in MacArthur Park. Their followers--by this time, there were tens of thousands of young and not-so-young people following hundreds of self-styled gurs du jour, from Mei Lyman to Charles Manson--were looking for a peace and love-style version of the old west shoutout on Main Street. Both would-be avatars were about thirty. One was swaddled head to toe in robes, diffraction gradings, body paint, beads and peacock feathers. The other one was completely naked, except for an incense-on-a-stick-thingie that he had stuck up his asshole and lit. It had gone out.
The two avatars faced each other, smiling.

'You're beautiful, man,' said one.
'No, man,' said the other. 'You're beautiful.'
'No, I'm not,' came the reply. 'You're beautiful.'
'No, brother. You're the one who's beautiful.'
'I think I'm going to throw up,' said one of the cops.

Doomed as doomed can be."
-Peter Stampfel

Abbess Hildegard von Bingen- A Feather on the Breath of God (1993)

http://www.mediafire.com/?s1e9eno35w5a51m

Let me introduce you to another CD that i purchased based on visual interest: Abbess Hildegard of Bingen.

Hildegard von Bingen was a self-taught Christian mystic who created music, poems, visual art (iconography), and religious texts during the 12th century. Her music is amazing--serene, surreal, haunting, evocative, and blissful. The title of this collection, A Feather on the Breath of God, is meant to convey the role of mankind in the earth-- floating at the whim of the supernatural. It's also a perfect description of this music.

Her artwork/iconography is also unbelievable. I hate to add to the piles of internet knowledge, so i'll refrain and just say how incredible the music is. I think of cds like this when i think of Michael Stipe's quote that "Music is proof that god exists."

Please just download it and listen to it.

Some of Bingen's sensational--and academically neglected-- visual artwork. 

A beautiful self-commissioned holy icon.

Langley Schools Music Project- Innocence and Despair (1976, 2001)

http://www.mediafire.com/?3qecz24bk6p63ya

Imagine a gymnasium full of elementary school kids singing and playing songs by The Eagles, Beach Boys, David Bowie, the Carpenters, Paul McCartney, Neil Diamond, etc in the 1970s. It'd be off-key and peppy. But you might not guess at the level of pathos that they'd also strike, by singing words and melodies written by adults who think they have experienced heartache.

That's what this album is: an inexperienced music teacher who taught his elementary school classes a bunch of contemporary pop songs and recorded them in a giant gymnasium. There has been much mythologizing around this double-LP-turned-cd compilation, but I can honestly say that there's a good reason for it. The Langley Schools Music Project still hovers in my top five albums of all time. One of the saltiest men i have ever known told me that when he listened to this version of "Desparado," it was so devastating that all he could do was lay on the floor. That's how the album is.

The best review I have read of this record comes from Frieze Magazine:

http://www.frieze.com/issue/article/the_kids_are_alright/

Thao and Mirah (2011)

http://www.mediafire.com/?t3beltd62y1onp3

Estrogen overload? or TALENT MADNESS!!!

I was greatly looking forward to Thao & Mirah, a collaboration of two totally talented, quirky, innovative, experimental, and versatile singer/ songwriters who defy that categorization. Gone are the days--at least I hope so--of the Sarah McLaughlan/Sheryl Crow Lillith Fair aesthetic. *shudder* Welcome to the new generation of women who make great music. In fact, how about this slogan-- GIRLS DON'T JUST MAKE MUSIC FOR GIRLS ANYMORE.TM .

The album is pretty all over the place. Ended up being a bit dancier than I would have expected, which maybe came from their ridiculously wild producer Tuneyards. I'm not sure yet if it's an instant classic, but I'll say it's one of the coolest records I've heard in the last month or two. 
Besides the range of styles, my absolute favorite part is how Thao and Mirah trade off the lead in the middle of the song. I love LOVE LOVE groups that do this. It's not exactly a new trick (See the Beach Boys, circa 1960) but it's so effective when it's employed well. Also love how the songs really defy any easy categorization. Not only is it hard to tell what genre each song is, but it's hard to tell who is writing which song. Not a lot of ego involved.

My one critique: The only Tuneyards-written piece, Eleven, appears first and it KILLS. The rest of the cd doesn't quite reach that level of sheer adrenaline.

Listening to this album makes me feel that young indie women are finding a great niche in music--some kind of a dance/indie/quirky/songwriter space that was blazed by weirdo alt-divas like Bjork Sinead O'Connor decades ago. When I was younger, women were always either the singers, the keyboard players, or the bassists. And they were either sexy and quiet or sexy and brash. It's so nice now to see more women stepping forward who are much more complex, diverse, and physically "honest." It makes me so elated to watch someone perform with weird makeup and flowers in their hair, or cowboy boots. Why the hell not!

I wonder if this last generation's work didn't directly allow this new wave of subtle and interesting female artists, whose music i generally prefer to their male counterparts (Andrew Bird, Bon Iver). ? I also wonder if the ladies don't feel a little more freedom to be as bizarre, eccentric, and wild as they want to be?

Shut the f*ck up, men! I'm awesome!

The Lassie Foundation- Jet Stream, Three Wheels EP (2010)

http://www.mediafire.com/?1246e9h2x5r22zp


I had a strange musical childhood, with two parents who listened to those irritating Christian Church worship tapes every week. That was their definition of music, and because of that hideous weekly routine (**shudder**), we kids were expected to listen to "christian music." How can music be a Christian?


One of the few things that came out of that ridiculous musical wasteland was a band called The Prayer Chain, who later split into The Lassie Foundation. TLF was obsessed with The Beach Boys, Yo la Tengo, Built to Spill, Lilys, Medicine, and 60s garage rock like The Kinks and The Who. I couldn't get enough of that combination of sugar-sweet pop falsetto and make-your-ears-bleed loud noise rock.


Alas, the band did not age well. The Schlock Factor hit pretty hard. They were incredibly inconsistent and distracted, and seemed to have an "All or Nothing" approach, rotating band members with each new release.


Jet Stream, Three Wheels EP really surprised me because it's fantastic. The first song is negligible, but the two last songs are fantastic. I can't tell if it makes me forgive them of all the pedantic releases or hold it against them more...hmmmm?


--
I just noticed this amazing link: on their website, you can download "fancy" PowerPoint presentations to accompany their songs in order to "Impress your teachers, professors, and office colleagues." I have to give them credit for these ludicrous extras. 

L0W- Come on (2O11) / The Internet Police Strike

The administrators at Cosmonaut Farm had their first official Cease and Desist order from Blogger. Apparently, it came straight from a larger record label which used to be known as a small record company (whose name rhymes with Subb P0pp). This record label used to be "indie" but now apparently likes to bully blogs like this one.

Fine. Sorry to say that anyone looking for L0w's C'M0n (2011) will have to look elsewhere. Or, just get it here:

http://www.mediafire.com/?z3xo3qq4iky3jv0

In the future, i'm afraid that i will have to consider brand new main label cds differently, or just omit them entirely. I'm more inclined to do the latter and let others take the hit. It's not a giant deal, but at the end of the day, i don't want to have to deal with some tight-assed record execs who can't deal with the fact that the internet is basically Napster version 5.0, and that file sharing will only become MORE pervasive.

Panda Bear- Tomboy (2011)

http://www.mediafire.com/?91eg2vds6mqxx3d

I'd like to suggest that you know you have made it as a one man band when you are able to have an awful screen printed t shirt as your cover art, and hundreds of thousands of wide-eyed hipsters will buy your cd.

Congratulations, Noah.

Carolina Chocolate Drops- Genuine Negro Jig (2010)

http://www.mediafire.com/?1u2i0wcccphlg45

Nothing defines Knoxville, Tennessee like folk music, specifically bluegrass and old timey music. When i first moved to Knoxville, i was blown away by the attention that people paid to folk music-- live, on the radio, in record stores, on tour, etc.

For a west coast kid who equated old time music with the "O Brother Where Art Thou" soundtrack (and don't laugh-- a lot of us did), it was a revelation to find out that young hipsters in the South liked folk music, and that young kids were MAKING folk music.

The Carolina Chocolate Drops are pretty badass in that they are probably the only African American group doing folk music right now. They're not only great, they're finally getting a lot of commercial and critical attention (they won a Grammy for this cd). I actually feel a bit guilty about putting this up-- i love this cd, but i also want them to continue to make music!

Americans forget that folk music is an umbrella term that brought in music from different backgrounds (since America is a country founded by immigrants [oh, and forcibly taken from the native inhabitants. Had to add that!}). So musical traditions from French, the Caribbean, Africa, Latin America, Ireland, Scotland, etc all got lumped up into the limp category "Folk" music.

As Margaret Kilgallen loved to point out, the banjo was an African instrument. People nowadays associate the banjo with uber-white musicians, but traditionally, this sucka came from Africa! Percussion instrument, bitches!!

Michael Hurley, the Unholy Modal Rounders, Jeffery Fredrick and the Clamtones- Have Moicy! (1976)

http://www.mediafire.com/?oguumtfftdt

Do you like songs about stealing hamburgers, robbing banks, getting it on by the moonlight, washing dishes, and taking shits?

OF COURSE YOU DO!!!!

That is why you want to hear the most amazing and certainly most unique country/bluegrass/folk/pop cd of the entire 1970s.

This is what you get when a rubbertramp, psychadelic bluegrass musicans, and depressed folk singers get together and make an album. This is absolutely the most interesting record I heard during my year in Knoxville, TN. Which is saying a lot!

Have Moicy continues to be one of the most influential albums of the 70s and have given props up and down and all over. Yo la Tengo covered "Grizelda" and blah blah blah. I think you just might really love it.

L(y)kke Li- W(o)unded Rhymes

http://www.mediafire.com/myfiles.php

*Note: Hooray! My second file removed due to copyright infringement! I'm on a roll! Notice the creative misspelling. Thanks, record execs-- keeping us all safe from pirates.

I hate it when I agree with Pitchfork.

I can't stand their ideal of "Let's-record-it-on-a-Fischer-Price-tape-Deck-and-add-a-photo-of-me-with-bad-sunglasses-with-Photoshop-lens-flare-effect" because it's so dumb that it's ironically cool. And that being hip is unhip, and that makes it cool.

And yet, crap: I love L(y)kke Li, the snaggle-toothed sorta shy Swedish pop singer. W(o)unded Rhymes doesn't feel as vulnerable as Youth Novels did, but i'll take it as a great follow up.

Wounded Rhymes is both simultaneously confident and vulnerable. I don't know how someone can make dance music that feels so confessional. When i think of popular American dance music, it seems to fall into one of two categories: either "You broke my heart and now i'm gonna dance" or "My man is so awesome and now i'm gonna dance".

By contrast, this is sort of a dance album that David Lynch would produce. And for that reason, i really love it. Don't believe me? Watch her music video for "Get Some" and tell me that you don't somehow feel totally creeped out, and perhaps a little smidge turned on. Mostly, though, just REALLY creeped out.

Also, she played on the Jimmy Fallon show in a ridiculous outfit with the most amazing tambourine display I've seen in years.

Michael Hurley + Ida: Ida Con Snock (2009)

http://www.mediafire.com/?zzzgzzzezw5

Call me a mindreader, because i know what you're thinking: "Based on this weak drawing of birds singing on telephone poles, this cd is gonna suck." I would tend to agree with you, if the words "Ida" and "Snock" didn't also appear in the title.

Snock, aka Michael Hurley, has been making weird folk records since the mid 1960s. His first record came out on Folkways, and his last came out on Devandra Barnhart's label, Gnomonsong. Tell me that's not street cred.

But mostly, this cd is my favorite Hurley record since the amazing "Have Moicy!" collaboration extraordinaire of 1974. I have at least 6 cds by Hurley, and i'll be honest-- they're pretty interchangeable. Each cd basically sounds like a continuation of the one before it. Or more bluntly, they all sound the same. Which isn't necessarily bad...

But, from the first bar in Ida Con Snock, you can hear the difference. Ida brings an incredible warmth and focus to Hurley's songs, grounding them and supporting them with an incredible musicianship that his other cds don't have. You've never heard drone, sweet harmonies, and thoughtful arrangements on a Hurley cd before. 

If you haven't heard Michael Hurley before, you might not be startled in the same way that I was. It might just sound like a nice, understated folk record. And that's okay, too. But keep in mind that this dude is around 68. At this point, Ida Con Snock sounds better than anything that Neil Young or Bob Dylan puts out (contemporaries of Hurley who proudly live up to the title "Washed Up").

For fans of early Low, Emmylou Harris, Crazy Horse, etc

Luke Temple- Snowbeast

http://www.mediafire.com/?k0ls0vv8izwrhkc

You know you have a good friend when they email you to write, "Hey, this cd makes me think of you. I think you'd like it."

Luckily for me, when someone does that, they're often right. Luke Temple was recommended to me by a good friend and I ended up really being drawn by it. I really got hooked on it when i was riding my bike downtown on the way to see Camera Obscura play live. This is an amazing "Hot-summer-night-on-a-bike" cd-- lots of swirls, loops, ambiance, textures, and great vocals. The songs are simple and catchy, and they fade and wash into each other, so that the whole of the album is greater than the parts of it.

Snowbeast (nickname for yeti) made me think about songwriting and recording differently. Luke Temple sings in this great haunting register, and layers his vocals at parts. There is a strange absence of low end stuff-- hardly any bass, etc. But it's really the high, lonesome vocals that do it for me. Plus the gurgling synth textures and "less is more" approach. The tracks are eerie, pretty, and haunting, which is like icing on the cake.

Give it a chance, listen to it a couple of times, and I bet it'll grow on you.

By the way, this image was taken from the Daytrotter Sessions site (which you should look into, if you haven't). Luke Temple with an armful of Yeti.  Wacky.

Shields Down- Powdered Sugar Avalanche

http://www.mediafire.com/?5uc3gdwbpym5hwh

Powdered Sugar Avalanche combines the Everything But the Kitchen Sink Brian Eno brand of pop music with the whirled sonics of My Bloody Valentine and the instrumentation of Magnetic Fields. It's ultimately a group of pop songs, but sounds a bit like Alan Lomax engineered a group of pop musicians that Brian Eno arranged and Kevin Shields produced. It's all over the place, in a nice way, i think.

The 'band' consists of brothers Ben and Leif Fairfield, who both make their own cds, and Lisa Chuang. Ben Fairfield tends to make poppy songs in the vein of Jack Johnson or Elliot Smith while Leif prefers the overall sound and feeling of songs, more akin to Brian Eno or Andrew Bird.

The songs here are shrouded in imagery and feel a bit like reading a book on a remote ocean shoreline. It has a song in Thai, a Chinese boys choir, and lyrics about Japanese history. It's familiar-enough as a pop cd, but even at its most intimate, it still feels pretty far off and abstract.

"Any Kind of Day" feels a bit like Sarah McLachlan-meets-Cush and "SwanDive" nearly sounds like Jeremy Enigk with a looser backing band. I have always appreciated bands that rotate lead singers, and i especially like the three part harmonies.



* If you ever get a chance to pick up a physical copy, it's printed letterpress! Woo ha!

Leif Fairfield- Facts of War

Leif Fairfield- Facts of War (2011)

http://www.mediafire.com/?m4mqviii9hj1fsa

Troubadour musician Leif Fairfield first cut his teeth with the 2005 "Delaware Sessions," a Berkeley-birthed cd that made pop music really tiny, basing songs around plucked violin and tentative vocals. Facts of War is his first full length offering since (with a smattering of EPs scattered throughout) and finds the emotional attachment cranked up a few notches, with some improved musical chops. An audio chronicling of his relocations from San Francisco to Knoxville to Cincinnati, this cd is full of screechy noise, darker lyrics, and pop sensibilities.

This cd squishes the devotional with the confessional, blurring the personal with the projected. And like all of Fairfield's cds, it has at least one song about suicide and/or dying. Go figure.

Think of it as a sound lasagna, with layers of violin and effects, filled with vocal harmonies, and drizzled with a small sprinkling of acoustic string instruments. Recommended for fans of Andrew Bird, Grizzly Bear, and Brian Eno.

Featuring Peralta Pirates Bryan Maurer and Matt Kronbach, plus Cincinnati staple Sonic Elf. 

Baden Powell & Vinícius de Moraes- Os Afro Sambas (1966)

http://www.mediafire.com/?n27a8bd4tbzs35i

Against my better judgment, I'm going to share with you a record that I searched five years for. But let first explain.

I used to be crazy into a fringe hip-hop/keyboard/j-pop/sci-fi duo called Cibo Matto. They rapped about sending pet chickens to college, comparing your ass to a that of a horse, and eating white pepper ice cream, but would make them sound weirdly aggressive or sexual.

When that band split up, one half did her own strange jazz/dance cd and a collaboration with Yoshimi from the Boredoms/OOIOO that they recorded on a mountain in Nara. That's Yuka Honda, and she's as awesome as she is hard to totally "get." She was maybe the brains of the outfit (she is also on again off again with Sean Lennon). The other half (the soul?) of Cibo Matto was Miho Hatori, who went on to make her own equally strange jazz/pop cd that was a concept album about insects in the future carrying secrets between machines and humans. (This is getting way off topic... are you still with me?) Before that, though, Hatori teamed up with Smokey Hormel (who played with Beck and Tom Waits) to release a collection of Brazillian songs (some covers, some self-penned). They followed up with a cd of Baden Powell covers, which really blew me out of the water. Hatori said they were songs that she listened to as a kid so many times that her tape melted in her tape player. Who was this Baden Powell, and what were the Afro Sambas?

Smokey and Miho live, 2005.

I ended up purchasing THIS cd of Os Afros Sambas, which Powell re-recorded in the '90s. Just how bad is the re-recording? Think of how awful Brian Wilson's version of SMiLE feels compared to the original 1967 Beach Boys bootlegs. Now multiply it by 5. Blech. At the time, cds and LPs of the original recording of Os Afro Sambas were selling on eBay for upwards of $100. Way too much for me to spend, and before people like me were "sharing" files like this.

So years later, i was in Tower Records in Japan when I saw this cd. The best part-- in a store where the average cd costs $35 (!!! and Americans think our cds are expensive!!!), this one was selling for 800yen (US $8). After i cleaned up my pants (after sh*tting in them), I promptly purchased it.

Powell and de Moraes

The original Afro Sambas was recorded (apparently) on a TWO track, and it definitely shows in parts. It's rough in spots, not completely balanced. But it has so much soul, the sexiest saxes you've ever heard, enough percussion to light a church on fire, at least four people singing at all times, and this total pagan jubilation. It's absolutely amazing. It contrasts Vinicius' deeper, aged voice with Baden's youthful eagerness, and the playing is dead-on.

Unlike a lot of Samba and Bossa Nova music being churned out in 1966, Os Afro Sambas had lyrics and music that connected to the Afro religion and beats in Brazil. It was very much out of Africa, very pagan, very sensual, and deeply spiritual to listen to (Apparently, Powell changed some of the words on a later recording to be less Afro as he became more of a devout Catholic, which seems like another nail in the coffin for the re-recording). At times, it is jubilant, funky, and dance-able. At others, it is slow, meditative, and pulsating. It still stands as being truly special in a sea of Jobim/Gilberto clones.

Powell had an upbringing in classical guitar training, and he liked to crank out the Bach. This cd is amazing since it combines that reverence for the musical with a reverence for the spiritual, which is much easier said than done.

Easily in my top 10 of all time.

Clogs- The Creatures in the Garden of Lady Walden (2009)

http://www.mediafire.com/?7q0am23d6v78wdd

Clogs is a "new classical" group that takes a very weird approach to making music. They are a little like Rachel's, where you feel that you could show the cd to the sweet metalhead who lives down the lane, your traffic cop, or your grandma, and all would be equally enthused.

I just realized that this is actually members of The National (Bryce Dressner, at least), who tend to dip in a lot of chamber music. Also featuring Sharon Worden of My Brightest Diamond, who sounds much better here than on her own music. Sorry, Sharon.

This cd has really grown on me-- haunting, minimal, strange, quiet, and beautiful.

Especially recommended if you've ever been interested in acoustic instruments, vocal harmonies, choral music, jazz, weird pop stuff (like St. Vincent or Deerhoof), and feeling as if you're very cultured.

Definitely recommended for fans of Colleen, Bjork, your local Byzantine choir, and renaissance music.

Bob Marley, Pete Tosh, and Bunny Wailer- Trenchtown Days: Birth of a Legend

http://www.mediafire.com/?ajj1sy790kq20d9

Okay, now before you go lighting that 7am "cigarette," I am going to cut you off and say that Bob Marley, Tosh, and Bunny started their career as a vocal trio singing what was between ska and doo wop. And for all the haters--You might think you hate reggae, but I still invite you to give this a listen.

And also-- 7am "cigarette"? Shame on you.

The sound here is closer to the American 45, and Bob is one of three voices. I prefer that. The songs are about breakups, partying, dancing, and of course the classic "One Heart." Though here, it sounds more like a song the Flamingos would sing. Here, Marley sounds more like Sam Cooke than the he did on Exodus or Burnin'. All the songs are also really solid-- sweet and a little bit pungent.

You'll notice that I give album credit to all three boys and not just megalomaniac Marley. Tosh and Wailer should get some credit for making this sound so nice, before they were sidelined by Bob's ego.

Dirty Projectors & Bjork- Mt. Wittenburg Orca

http://www.mediafire.com/?4qo24epevcb4x2g

I grew up with this guy who ended up wearing polyester suits to school every day his Junior year of high school, right around when he started sporting some bleached hair and very angular sideburns. Part of this new persona consisted of listening to music that his sister handed down to him, which he tried to like, but then became disinterested in. He passed them along to me. I wish i could say that i had a revelation, but it was years until i fully appreciated The Beach Boys- "Pet Sounds" and Bjork- "Debut," which were two of the cds he gave me.

Fast forward a few years, and a friend played Bjork's "Homogenic" at her house. That WAS a revelation, and Bjork was the bee's knees for a few solid years. I loved how she destroyed her voice on every song and sounded ready to fall apart. I enjoyed her a bit less as Drawing Restraint came out, and it was downhill from there.

BUT! A few years later, I discover the amazing and incredibly weird Dirty Projectors, who somehow cradle chamber music, art rock, and 80s R&B. Oh yeah, they're weird. Then, they make a cd with Bjork about whale sighting off a mountain in California, and luckily for us all, it's absolutely beautiful. Weird, wobbly, perfectly delivered, and full of idiosyncratic sounds. To me, it sounds like whales swimming, which is about perfect.

I feel a little guilty for putting it up here, since the proceeds from the album go to support National Geographic. It's like robbing from Ghandi. Eh. What are you gonna do...?

A rather shoddy live recording:
http://www.youtube.com/watch?v=QFdZH9R1n-4


*As a side note, my two year old son LOVES this cd. Take that, all you lame-ass library folk singers.