Showing posts with label south american. Show all posts
Showing posts with label south american. Show all posts

2.23.2011

Ho Lan- Echo From Deep Valley

http://www.mediafire.com/?yp3mr2ox4oi3n21

Okay, so picture this: a female singer-songwriter from Taiwan in the 1970s who has a penchant to classic Spanish and Mariachi songs, a "thing" for yodeling, and a super-husky voice (one that she strengthened by learning to sing over the roar of a waterfall in her native hometown).

Meet Ho Lan:
part Zhou Xuan, part Nina Simone, and part Lucha Reyes.

The songs are split into solo guitar accompaniment (with multi-tracked vocal harmonies) and big band orchestrations, but Lan's voice always stands out. In addition to some really striking tunes, she sings some songs that could normally strike a very cheesy note with many listeners-- "Palmoa," "Hawaiian Wedding Song," and even {ick} "Home On the Range"-- but I can nearly guarantee that you won't mind.

This is my idea of folk music at its most bare and most satisfying: pure talent, no pretense, engaging voice, wonderful simplicity, versatility of styles, and MASSIVE TALENT. My friend Eric, who has immaculate taste in music, said that this is his favorite recording I have shared with him. That might mean something?


Here is Ms. Lan yodeling on YouTube:
http://www.youtube.com/watch?v=Ap6MKABAKoA

1.27.2011

Juana Molina- Un Dia

The whole "single artist making a huge sound by using a looping pedal" phenomenon is pretty big, made popular by Andrew Bird, Zoe Keating, and Imogene Heap. And they're all pretty good at it in different ways. But one of my favorites is Juana Molina.

Her first two albums often get described as sounding somewhere between soft Brazillian bossa nova and Brian Eno, which is intriguing enough of a description to make me want to listen to a record. But Un Dia, her third, pulls out all the hush and slaps you in the face with weirdness: layers and layers of noises, vocal ticks, instruments, keyboards, and horns. It's just great, dense, weird, and beautiful. And most importantly, it really kicks-- all solid driving beats, so you don't have to sit and sip yerba matte in your yoga wear with your pretentious yuppie friends while you listen to it on your fair-trade hand-woven area rug. It's acid trip approved, crazy kids!

I was able to see Molina live at the Southgate House in Kentucky. She played loops with a live bassist and drummer, and of course, it was incredible. Her live set actually blew this recording out of the water, because I was able to see that all these loops on the CD were happening live-- I wouldn't be surprised if this CD had no overdubs.


I heard through the grapevine that Molina is Argentinian and had a previous career as a comedian?! Even if this is untrue, I love that idea.

Meet your host

My photo
Another musician, interested in and inspired by music from different times, different cultures, and different intentions.