Laurie Anderson- Homeland (2010)

http://www.mediafire.com/?o81psbwqdxsozvd

As an artist and a violinist, I am unabashedly infatuated with Laurie Anderson. And if you are reading this, I don't need to talk about how awesome she is.

"Homeland" is interesting in that it is a document of a performance that she performed on tour for awhile. I love that idea--the "tour" first with the album later. And Homeland is also interesting because it's just weirdly dark, but also really accessible. It's clearly about the entire 9/11 paranoia.

Musically, it has songs that could allllmost end up on the radio, though most of it is pretty atmospheric. At times it feels like an "Americana" soundtrack, with lots of lonesome fiddles playing together and against each other. And the awesome voicebox is back, which makes at least one song in particular feel wonderfully creepy.

"In America, we like solutions. We like solutions to problems. Companies with experts ready to solve these problems. Only an expert can solve these problems."


Can you comprehend that she's married to Lou Reed? That still seems so strange to me. Also kind of funny that Art21 just featured her. Hey Laurie, thanks for being an amazing artist for 30 years. It's cool if we throw you a bone now, right?

Leif Fairfield- The Infamous Sun Drips Extended Play Disc Written by The Sleeping Sea (2011)

http://www.mediafire.com/?bj1716o1mh71jow

Cincinnati-based Leif Fairfield plays as a member of the band The Sleeping Sea. When he joined, he was given an EP of songs that were to be recorded "in the future," but being impatient, he created his own versions of these songs before the whole band could do it.

Sun Drips EP sounds like a cross between his solo recordings and his alias I Do. The disc features the usual violin and layers of voice, but with plenty of internet found sound, dub music leanings, and video game references. In true Fairfield fashion, it goes from ridiculous to pretty in a matter of minutes, and his covers range from respectful to complete re-interpretations (including his "cover" of "Rain Drips" that posits David Bowie-like vocals over the opening theme for the Nintendo game The Adventure of Link). It flows together as a single disc, and songs have multiple versions.

Check out the band photo!

Also a graphic designer, he created the album artwork. Yay!

Thao and Mirah (2011)

http://www.mediafire.com/?t3beltd62y1onp3

Estrogen overload? or TALENT MADNESS!!!

I was greatly looking forward to Thao & Mirah, a collaboration of two totally talented, quirky, innovative, experimental, and versatile singer/ songwriters who defy that categorization. Gone are the days--at least I hope so--of the Sarah McLaughlan/Sheryl Crow Lillith Fair aesthetic. *shudder* Welcome to the new generation of women who make great music. In fact, how about this slogan-- GIRLS DON'T JUST MAKE MUSIC FOR GIRLS ANYMORE.TM .

The album is pretty all over the place. Ended up being a bit dancier than I would have expected, which maybe came from their ridiculously wild producer Tuneyards. I'm not sure yet if it's an instant classic, but I'll say it's one of the coolest records I've heard in the last month or two. 
Besides the range of styles, my absolute favorite part is how Thao and Mirah trade off the lead in the middle of the song. I love LOVE LOVE groups that do this. It's not exactly a new trick (See the Beach Boys, circa 1960) but it's so effective when it's employed well. Also love how the songs really defy any easy categorization. Not only is it hard to tell what genre each song is, but it's hard to tell who is writing which song. Not a lot of ego involved.

My one critique: The only Tuneyards-written piece, Eleven, appears first and it KILLS. The rest of the cd doesn't quite reach that level of sheer adrenaline.

Listening to this album makes me feel that young indie women are finding a great niche in music--some kind of a dance/indie/quirky/songwriter space that was blazed by weirdo alt-divas like Bjork Sinead O'Connor decades ago. When I was younger, women were always either the singers, the keyboard players, or the bassists. And they were either sexy and quiet or sexy and brash. It's so nice now to see more women stepping forward who are much more complex, diverse, and physically "honest." It makes me so elated to watch someone perform with weird makeup and flowers in their hair, or cowboy boots. Why the hell not!

I wonder if this last generation's work didn't directly allow this new wave of subtle and interesting female artists, whose music i generally prefer to their male counterparts (Andrew Bird, Bon Iver). ? I also wonder if the ladies don't feel a little more freedom to be as bizarre, eccentric, and wild as they want to be?

Shut the f*ck up, men! I'm awesome!

Laurie Anderson- Big Science (1980)

http://www.mediafire.com/?gnb19beaxav3v91

I am starting to prefer artists who straddle different genres, ideas, or modes of expression. Sometimes, the result is a very fabulous aesthetic that leaves all parties feeling a little bit awkward. And that is fantastic.

It's hard to describe what Laurie Anderson does, exactly. One of her earliest musical performances was her playing violin on a street corner wearing ice skates embedded in giant blocks of ice. When the ice had completely melted, she stopped playing violin (see an amazing continuation of that here).

She might be the only artist/violinist you have ever experienced. You might say her main language is performance, but when she started putting out albums, it demolished that idea. Big Science is a strange collection that mashes together violin parts, vocoder, pop hooks, spoken word, singing, poetry, sound... they're not really "songs" per se, perhaps not even music, really... but what to call them?

Big Science--surprisingly--had a massive radio hit, "O Superman (For Massanet)." That has to be the strangest "song" that ever landed in the top 5 (and a surreal-beautiful video). Yet more evidence that the 80s were a far superior decade for music.

TV on The R(a)dio- Nine Types of L(i)ght (2012)

http://www.mediafire.com/?li1bbefvpzzbvc1

I've been a big TVOTR fan since i first heard Young Liars, and it's been great to watch the band expand, change, and grow since.

NTOL might be my favorite, if for no other reason than the full length movie that was created alongside the album by singer Tunde Adebimpe, my man crush and ridiculously cool person. Do yourself a favor: find an hour, and watch this. Then feel awesome.

One of my favorite things of this cd is the feeling of letting go for the band, of enjoying themselves and letting the music be much looser. Love, love, LOVE hearing the meaty baritone on some songs! It's like James Earl Jones stepped in to croon. Plus, did anyone else notice what an awful guitarist David Sitek is??? The term "Robbie Robertson" comes to mind... Just saying.

Following my previous post, I love seeing black folks playing rock music, not because it seems like a crossing over boundaries, but that it is a resituation of black presence within a black medium (rock music) that was taken by white people from black folk musicians and early rockers like Chuck Berry. People forget that Elvis was playing the "Devil's Music" (meaning, black music). It's a reminder that rock, like so much else in this country, was early stolen and rebranded by white people as white culture.

Anyway, kudos to you fellas. You go, boys. Way to rock.

Panda Bear- Tomboy (2011)

http://www.mediafire.com/?91eg2vds6mqxx3d

I'd like to suggest that you know you have made it as a one man band when you are able to have an awful screen printed t shirt as your cover art, and hundreds of thousands of wide-eyed hipsters will buy your cd.

Congratulations, Noah.

L(y)kke Li- W(o)unded Rhymes

http://www.mediafire.com/myfiles.php

*Note: Hooray! My second file removed due to copyright infringement! I'm on a roll! Notice the creative misspelling. Thanks, record execs-- keeping us all safe from pirates.

I hate it when I agree with Pitchfork.

I can't stand their ideal of "Let's-record-it-on-a-Fischer-Price-tape-Deck-and-add-a-photo-of-me-with-bad-sunglasses-with-Photoshop-lens-flare-effect" because it's so dumb that it's ironically cool. And that being hip is unhip, and that makes it cool.

And yet, crap: I love L(y)kke Li, the snaggle-toothed sorta shy Swedish pop singer. W(o)unded Rhymes doesn't feel as vulnerable as Youth Novels did, but i'll take it as a great follow up.

Wounded Rhymes is both simultaneously confident and vulnerable. I don't know how someone can make dance music that feels so confessional. When i think of popular American dance music, it seems to fall into one of two categories: either "You broke my heart and now i'm gonna dance" or "My man is so awesome and now i'm gonna dance".

By contrast, this is sort of a dance album that David Lynch would produce. And for that reason, i really love it. Don't believe me? Watch her music video for "Get Some" and tell me that you don't somehow feel totally creeped out, and perhaps a little smidge turned on. Mostly, though, just REALLY creeped out.

Also, she played on the Jimmy Fallon show in a ridiculous outfit with the most amazing tambourine display I've seen in years.