Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

6.27.2011

Nina Simone- Wild is the Wind (1963)




http://www.mediafire.com/?ow7qbz9fqwrppu6


Nina Simone: a marketing nightmare.

Jazz/Soul/Blues/Broadway singer, both vulnerable and abrasive. Outspoken against discriminatory practices and against African-Americans who seemed to fall into stereotypes. Outspoken agains the white audiences that supported her career. A classically-trained pianist who could improvise with the best jazz trios and pound a piano like she was trying to kill it. Contradictory, brash, and powerful. Beautiful and ugly.

I was in love with Jeff Buckley before i ever heard Nina Simon's earlier version of Lilac Wine (neither of them wrote it). I far prefer her version. It's one thing for a person with a lilting, beautiful voice to make a lilting, beautiful song. But Simone--whose voice was deep, resonant, and brassy--sang this song with such vulnerability and tenderness that I don't think Buckley's version can touch it.

Also recommended: Nina Simone Sings the Blues.

6.23.2011

Alice Coltrane- A Monastic Trio (1968)



http://www.mediafire.com/?ywr1c5gv4r4236r

I know nothing about Jazz. Nothing. Really, honestly, nothing.

It's tough to write about jazz, inquire about jazz, and sometimes listen to jazz. It's just hard to do. I understand it to be a vast universe that exists inside a little box. Most people--like myself--don't really venture to open that box, instead happy to stay inside their little land of pop/experimental/choral/opera or whatever music.

I found out about Alice Coltraine through MC Schmidt and Drew Daniels from Matmos, who played one of her cassettes for me on the way to Salvadorean food. I didn't look her up for many years, but recognized it off the bat.

What to say--she leads a jazz group both on piano and harp. She plays with precision, as Nina Simone can, but ventures off into strange and beautiful territory. She became very interested in meditation, and her latter albums (i am told) veer off into this territory even more.

4.18.2011

Miho Hatori- My First Time (mixtape) 2011

http://mihohatori.blogspot.com/2011/04/my-first-time-mix-tape-vol1-on-dossier_15.html

Miho Hatori is one of my first musical crushes, from the glory days of Cibo Matto, through Smokey and Miho, to her solo stuff. It's a weird collision of naivety and badass tendencies, though it's waaaaay closer to the former. She is interested in hip hop but is a total outsider, and her experimental nature always comes through.

This mix tape was created with the theme "My First Time," and is supposed to have a mixture of excitement and confusion. I love when people have themes that sound absolutely NOTHING like the way they probably hear them. It made me think of my latest request for people to send me recommendations for what they thought were the saddest songs ever. It's interesting to hear what people think of as sad... emotions are tricky!

Hear it before it's gone on Miho's blog.

3.14.2011

Latin Playboys- Dose

http://www.mediafire.com/?nrcaenr7cbwbzpz

You may have heard of Los Lobos, who hail as California's longest-lasting full rock outfit. They're good and all, but their recent Disney cd makes most people reach for one of those airplane barf bags preeeeeetty fast.

But back in 1999, they put out a second album under a side-project pseudonym Latin Playboys (which has to be one of the coolest band names ever. Do you notice that i get fetishistic about names? I can never come up with a cool name!). The legend has it that Dose was recorded entirely with instruments bought from thrift stores, and it shows. The guitars are wonky and out of tune, and the instruments sound terrible; however, since Los Lobos are practically the most talented musicians who have ever walked the face of the earth, the playing is incredibly solid and it comes across as a revelation.

It turned a lot of Lobos fans off since it's a) abrasive as all getout and b) not really a group of songs as much as weird sketches. It almost sounds like an early Ween record, but with a huge Mexican influence. For me, the rough aesthetics plus the Mexican sabor plus the inconsistency makes this one of my favorite early Summer records.

I first heard this at a house party in Knoxville and realized--in an exaggerated epiphany-- that the music i had been listening to was really lame, and that there was tons of incredible music i hadn't discovered yet. 

3.09.2011

Rayon De Lune- Aromates/ Michele Claude

http://www.mediafire.com/?3wr2jo88k45mpk8

This is a hard cd to sum up, but it's one that is really amazing. It's apparnetly a French group, but they definitely are drawing from a variety of musics in the region.

I'm not doing it justice. But if you have any interest in jazz, Arabic/Andalusian, gypsy, and eastern classical music, give it a listen.

Here is Amazon's description:
"Michèle Claude and his Ensemble Aromates had a French hit album in 2005, Jardin de Myrtes, which appeared on both classical and pop charts for several weeks. Now this exciting artist and his group offer what is possibly an even better album, combining the musical idiom of Al Andalous in Spain with the timbres of the organetto, psaltery, harpsichord, and a rich selection of percussion instruments. Ensemble Aromates consists of classically trained musicians evolving into different musical horizons--medieval, baroque, contemporary, jazz, gypsy, and salsa. They love improvising, and pay tribute to musicians from all traditions, oral and written."

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