Aaron Martin- Worried About the Fire (2010)

http://www.mediafire.com/?lwqyrhy8nzt3bbr

Aaron Martin made one of those records that i wish i had made. It's moody, airy, deep, creepy, breathy, and beautiful. Very sparse instrumentation that somehow feels both ethereal and Appalachian. Think of bowed saws, looped violins, nebulous electronics, and sparseness. Or, imagine "Brian Eno: Music for Tall Forests in The Snow."

This is one of those amazing albums that can be listened to actively or passively, as background music or meditation music.

Highly recommended. I need to check out more of his stuff.

L0W- Come on (2O11) / The Internet Police Strike

The administrators at Cosmonaut Farm had their first official Cease and Desist order from Blogger. Apparently, it came straight from a larger record label which used to be known as a small record company (whose name rhymes with Subb P0pp). This record label used to be "indie" but now apparently likes to bully blogs like this one.

Fine. Sorry to say that anyone looking for L0w's C'M0n (2011) will have to look elsewhere. Or, just get it here:

http://www.mediafire.com/?z3xo3qq4iky3jv0

In the future, i'm afraid that i will have to consider brand new main label cds differently, or just omit them entirely. I'm more inclined to do the latter and let others take the hit. It's not a giant deal, but at the end of the day, i don't want to have to deal with some tight-assed record execs who can't deal with the fact that the internet is basically Napster version 5.0, and that file sharing will only become MORE pervasive.

Big Star- Sister Lovers (1974) {CF Edit}

http://www.mediafire.com/?tm12klsl5gzcpmo

There was an American band in the late 60s and early 70s who made quite a name for themselves by playing rock and roll. Their records were good, but they never quite reached the critical mass that The Byrds, The Beatles, or The Rolling Stones did.

By the time their third album was coming around, they had signed to Stax Records, which was falling apart and going bankrupt. The band was splitting up, and the singer Alex Chilton was having his own personal issues to deal with. He did what every musician should do, which is deal with his stuff openly and on tape.

Sister Lovers (so-named because he and the drummer were dating two sisters; this cd is also known as "Third") was Big Star's third record, though many consider it Chilton's solo outing, recorded with session musicians, the band's drummer, and an ambitious producer who wanted to carry the session through to fruition.

Sister Lovers is a bizarre collection of songs that ping-pong between sheer bliss, caustic sarcasm, utter detachment, total loneliness, and tongue-in-cheek. In a way, it was indie rock way ahead of it's time, and Sister Lovers nails the sonic experiments, loose arrangements, and sheer coolness that a lot of homemade rockers tried to sound like. Even in 2011, it sounds like it was recorded last month, which says a lot!

A lot of crazy-huge bands (R.E.M., Yo la Tengo) refer to as one of the most influential of all time.

I could go off on how I like each song, but everyone in the world has beat me to it. So there.

Rykodisc finally released the "official" version of Third/Sister Lovers, including bonus tracks, in 1994 or so with a setlist picked by Chilton. I have to say that i liked and didn't like it. For one thing, it's very hard to cobble any kind of cohesion together out of the songs, that make Pet Sound's diversity sound relatively tame. For another, it is 17 songs long, which is far too many, in my opinion. It also includes a handful of cover songs that range from campy to utterly atrocious.

So-called purists will get all huffy, but i made my own tracklist that has a more natural listening arc to it, and i also made my own album art (since the reissue is pretty fugly). To me, it's the strongest tracks put in an order that a skeptic would really appreciate.


(A little aside: This is Chilton's year, as people are performing Third live all over the place. This poster was from North Caroline, i believe, but a superstar cast was doing this in New York City also. Flattering or self-serving?)

Damien Jurado- Saint Bartlett

http://www.mediafire.com/?detxkj8swulzk17

When people think of Damien Jurado, they probably think of a sensitive northwestern singer/songwriter who likes to play lots of acoustic guitar and have women sing with him. I, for one, have thought that his last few cds just seemed like a blurring of one continuous album that never really stuck out to me. That's probably not a fair assessment.

Saint Bartlett, which was produced by Richard Swift, really caught me off guard. It's a very solid record: the songs are catchy, haunting, and distinctive. But the thing that really sealed it for me are the great idiosyncratic percussion and doo-wop sensibilities. It's still a Damien Jurado record, but it sounds like one that would be playing in the background of an episode of Twin Peaks.

His songs always seem confessional, but they're often from the point of view of others. This record was apparently made while several friends were going through divorces, in hospitals, etc. The different points of view make it "read" like a collection of stories by Ray Bradbury.

It's a really affective record. I have some days when I pull in to work on my bike and all i can think of is the endless loop that he sings on the first song: "Trying to fix my mind, trying to fix my mind." This has been one of my favorite records of the past year.

Hope Sandoval and the Warm Inventions- Through the Devil Softly

http://www.mediafire.com/?hbfi43tz1z4csiq

A friend of mine from Ohio introduced me to Brit-pop, shoegazer, and noise rock at the same time, and I can safely say that I was the only kid in Tuolumne County who knew of Blur, the Catchers, Mazzy Star, the Vaselines, Belly, the Breeders, Slowdive, My Bloody Valentine, and Elastica. That was a special time when i could hear Nirvana, Mazzy Star, Green Day, and the Flaming Lips on commercial radio. Commercial radio!!!

Nothing Mazzy Star recorded ever touched the magic of "Fade Into You," which is okay, since that is still an unworldly single. But years later, when Hope Sandoval made a solo album with My Bloody Valentine drummer Colm O'Ciosoig, I paid attention. "Bavarian Fruit Bread" is still one of my favorite records, that sounds as fresh now as it did ten years ago.

Through The Devil Softly is perhaps one small step below BFB, but it's still an uncanny and eerie record. Her "Is-she-singing-on-key-or-not" delivery still makes me weak in the knees, and the reverb-y instruments (from autoharp to twangy western guitar) makes such a weird juxtaposition that somehow works perfectly. It's a perfect cd for the dead of winter when it's dark and murky out. It's an album full of doubts, questions, and hauntings. And that makes it awesome.

This album will still sound amazing ten years from now.